The Letter Project.

This is an observation project. We "Look" at the world around us but don't often "See" the interesting detail. This assignment will force you to see the everyday and mundane in a different light.

1. You may choose a word that represents a strong emotion like "love". You may use your own name, but the letters should be representative of who you are.
2. It is possible to construct letters out of objects if you desire. (Notice that the letters in the word create are made up of art materials). 
3. Using a digital camera, take photographs of the "letters" that make up your word. Each photo should be recognizable as a particular letter.
4. A cell phone camera is satisfactory if the resolution is high enough.
5. The images will need to be scaled in Photoshop. Determine size based on the number of letters in the word. (3x3 inches is typical) Make sure the "constrain proportion" button is selected when scaling.
6. Dry mount the letters on matte board. Place in the press for 20 seconds. (Longer will melt the image)

Line and Reflection

Line in Photography

Line is the most basic element of design. It is present in every work of art. You assignment is to create images that isolate that particular element. This requires you to look closely at the world around you. Don't limit yourself to typical lines. Consider:

• Kids on  a lunch line
• A picket line
• A Finish Line
• The Horizon Line
• Fence Lines

Think about how different lines create different feelings in the viewer.

Horizontal Lines - Restful

Vertical Lines - Give feelings of stability. (Columns on a bank facade.)

Diaagonal Line - Create visual energy and movement.

Implied Lines - Lines created where two shapes meet.

The possibilities are endless. Shoot half a roll of black and White film devoted to line.  

Make one 5x7 enlargement and dry mount it on matte board.

Below are some examples of my line photographs.

Alco Locomotive, North Creek, NY

Mast of the Sloop Clearwater, Hudson River

Dodge Grill, North Creek, New York

Bike Rack, Walkway Over the Hudson, Poughkeepsie, NY

Reflections

Before starting this assignment, take a look on the world wide web for examples of photographs using reflections. This should jumpstart your imagination and give you inspiration for your own images.

Consider the many reflective surfaces availible to you:

• Store windows
• Sunglasses
• Lakes, ponds and even puddles.
• Mirrors

Don't limit yourself. Remenber reflection is something that we all do. How can you photograph someone being "reflective".

Make one 5x7 enlargement and dry mount it on matte board.

Paramount Theater, Peekskill, NY

World of Wings, Teaneck, NJ

Snow and Ice

Sprout Creek, Lagrangeville

If you haven't noticed, it's cold outside! Snow, ice and cold are the subject of our next digital assignment. Here are a couple of tips for taking snow photos. Take lots of images and post your most interesting "five" to your blog.

1. Control Exposure - Even though smartphone cameras take great photos, it is wise to consider controlling your exposure manually. Light meters in cameras try to expose the large snow areas as 18 percent gray, leaving you with a dark image. With film, photographers will often "overexpose" 2 stops to make the snow appear white. The latest Iphone operating system allows for some control of exposure. If the snow in your digital images appears to dark, you can adjust it in Photoshop using the Brightness/Contrast controls. 
2. Make Sure you have a Subject - What exactly are you photographing? Name it in your mind. Remember the subject is the first thing the human eye will see when looking at your image.
3. Create Depth - Large areas of white can create a flat and lifeless image. Is there a distinct foreground, midground and background in your image?
4. Keep the Sun behind your back. (Bud don't get your shadow in the image.)
5. Best to shoot after a new fallen snow...nice and clean!
6. Branches heavily laden with snow make interesting images. (Contrast with dark pine trees works well too.)
7. Watch where your footprints are, they can ruin a great shot.
8. Capture action shots. (Kids playing, sledding, snowball fights)
9. Try getting a portrait. (See After the Crash below.)
10. Consider using black and white, it will bring out the starkness of a winter scene. 
11. If you use color, add contrast to make the color "pop". Red works really well in snow scenes.
12. Add people to your scene for reference. (In a landscape)
13. Stay warm! Dress appropriately for the conditions.
14. Keep your camera cold, if you keep it warm it will fog your lens!

After the Crash, Holga Photograph

St. Francis Statue

Never Dies

Photoshop Filter Project

Assignment - We will go over this project next week in the computer lab. You must colorize your pinhole image before starting.

1. Duplicate your colorized pinhole image 25-30 times on a 8.5x11" Photoshop document.
2. Manipulate each small image with a different "Filter" effect. 
3. Center on the page.
4. Save as a jpeg file and post to your blog.
5. Add the caption: Photoshop Filter Project.

Photoshop Filter Project

Colorize Your Pinhole Photo

Assignment

Take your Pinhole Self Portrait or Pinhole Close-up and duplicate it. Using the same technique we used on our digital restoration, add color to your image. Post it to your blog. 

You will need this image for the next project! Post it on your blog.

Here is one of my pinhole images. Another art teacher had a bag of old toy baby parts which I used as my subject. Creepy!

Colorized Pinhole Photo

Smartphone Close-up Photography

There are several ways to add macro capacity to your smartphone. Often, the native application is limited in it's ability to adjust exposure or get in close to an object. For the photo of the knife blades, I used an app called Camera+. It's macro feature allows you to get quite close to the image.  I used a headlamp as my light source. The image was edited using the "Ansel" filter.

The image below was created using the lens of a disposable camera. The lens fit comfortably between my OtterBox and Iphone 5c. (the lens can be taped on as well.) I placed the camera on a tripod and used the timer feature in Camera+ to limit camera shake. The composition is made up of some key rings, paperclips and a metal pencil sharpener.

This image was taken hand held. I rested the bottom of the camera on the table and used the headlamp (Any light source will work) to illuminate the dollar. I used the zoom to get even closer.

Your assignment is to create 5 different closeup images with your Smartphone.

Here is a photo of the rig I've built (3) to help you take your smartphone close-ups. Your phone sits on the top piece of Plexiglas and you position your camera lens over the disposable camera lens. The object you want to photograph sits on the bottom layer of Plexiglas.

The thickness of the plexiglass will cause some vignetting.

Use the zoom on your smartphone camera app to crop out the rough edges. Here is the same image "zoomed in". I used a backpacking headlamp to light the objects from below.

I switched to a red light for this image....

Make sure you bring items in to photograph!! I know you won't forget your phone. :)

There are a whole world of small objects just waiting for you to explore.

I used an app (free) called Snapseed to give this image it's rough look.

This is of the circuit board that was inside the disposable camera I "borrowed" the lens from.

In this image I placed the lens between my Otterbox and my camera. I used Snapseed to saturate the colors in the image.

I found that I eliminated the vignetting when I took my Otterbox off my Iphone. I placed a cheap ($1.00) LED light under the paper clips. I placed two sheets of blue tissue paper over the light to get the color in the background. (and diffuse the light). 

Experiment!! Have fun. 

I shot hundreds of images using these techniques.

Macro Photography

Macro and Micro photography opens a whole new world of subject matter to the photographer. Most cameras can only focus to about a meter (3feet), but with the additions of diopter filters, extension tubes and bellows a normal camera can take some incredible closeups. 

Your Assignment

1. Each group of 4 students will share a roll of film and make 5 exposures.
2. Find small objects that are significant to you. 
3. Create miniature compositions. You still must thank about balance and the organization of the objects on the picture plane.
4. It's OK for the object to "bleed" off the edge of the picture plane. This gives the illusion that something is going on beyond the edge of the image.
5. Use the school camera with the copy stand. Make sure that the aperture is f16 to increase depth of field.
6. Use the "cable release" to ensure that there is little camera shake.
7. Consider "rim" lighting to create shadows.
8. Metal objects make excellent subjects for this assignment.

Make a 5x7 enlargement and mount in on white or black matte board.

Use a #3 polycontrast filter to give your image a bit of snap. (Remember, the higher the number filter, the greater the contrast.)